Hakkımızda

IS wood carving?

Wood carvings, wooden plates and scoop out the desired shape can be defined in the cut. A lot of speaking to deepen gouge or scratch out the vote means. Since the plain meaning beyond the surface mixed cut shapes by being left at the engraving is wrong. The French work "de'copaqe" that is cut around the tip out is called. When it is said in Turkish engraving pen is carved on a tree, being the swell and clear müşebbek jobs.

But one thing to stay flat through the surface and the interior is cut around the shapes carved mixed and it does the job of mana what kind of business that does not explain adequately. When it is said a table with carved relief decoration is understood as a table. Cut the phrase does not refer to work properly. Something in the middle and cut to separate the cut pieces are called. For this reason and the only way to cut through around the use of the expression pat tezyinî jobs would be cut. Die-cut or just cut to the fine woodwork carved mukatta income should mean.

A tree growing in the forest are thought to have disappeared after discontinuation of life, re-starts with the art of wood carving ...

Is divided into pieces, cut, is cut, new life, takes on new tasks in new ways. People will barrel, is embracing the seat, bed, frame, will fund. Even in last trip to mankind ... accompanied

Wooden carving decoration and at this stage there occurs, sometimes very simple patterns of nested patterns sometimes sometimes sometimes with a mallet and a spike on the engraving pen to etch can be done with everything.

Our imagination, to the extent that physical capabilities give our hands to express ourselves, our feelings is a way to describe wood carving ...

HISTORY

Is easy to shape a material forming art ahşapa is based on very old ages. Shaped wooden statues were found in the pyramids in Egypt.

Common in Turkmenistan Turks on the art, combined with Islamic motifs to the Andalusian, Asia, Europe, spread to the African continent. Currently, Morocco, Tunisia, Algeria, in countries such as the wood frequent motifs.

According to the studies of the Turks living in Central Asia before Islam statues and carvings have been found to work decorations. This work can be seen traces of the Chinese and Indian art. However, Islam does not permit that to the art of sculpture, between Muslims and Turks, have led to advances in the art of wood carving.

Turks accepted Islam after carving me of showed more improvement in Turkestan. Later, in countries where the Great Seljuk Empire dominate their bring the carving of architectural decoration took place in the art of carving, especially Turkmenistan also has been persistent for many years. Then the Seljuk palaces, mosques, small mosque and were used as decorative structures such as complex.

China is concerned about the trappings of the Anatolian Seljuk period together, the importance of carving was preserved and Erzurum, Harput, Beyşehir in major centers such as the best examples of this art has been bring. Sas characters in this period alone tezyinî motifs as in China rather than decorative geometric shapes formed.

Ebony, walnut, apple, pear, cedar, rosewood, pine, etc.. on trees, such as carving, inlaying, painting, knitting (kükdekari) and driving (enough for the job) was decorated with techniques such as wood samples in this area in the Seljuk period suggests that a superior level has been reached. Flat surface with deep carvings, round surface with deep carvings, curved cutting, carving network with (hem)-like techniques such as lace adorned with parts, flat surface and decorated with inlaid marquetry inlaid and relief, such as inlaid marquetry techniques, such as decorated example, flat-surface painting, surface relief, such as painting painting techniques and kundekari, knitting techniques such as false kundekari made a rich repertoire of techniques in her works has been pointed out.
Blade from the surface perpendicular to the ground by holding the work surface is flat with deep carvings, knives, using free hand movements applied and the surface of the circular to be shown care surface with a round deep carving, the surface is carved deeper ground certain parts can be removed, of the lace to view the network with deep engraving (hem) and adorned the hands of master paca the documents the ingenuity.

In the time of the Ottoman Empire the art of wood carving reached its highest level. Rumi and error that we flower, vegetable and animal motifs stylized occurring tezyinî used. Architectural interior and exterior parts are decorated by masters of this art.

Main application areas the mosques and shrines with the Mihrab pulpit, a mosque and madrasa used in the lectern for the king throne, grave stones, doors, windows, cabinet doors, chairs, jewelry boxes, wooden cradle, table bases, carved decorations, fountains, boxes have been. House used in drawers, chests of goods such as ornaments, various architectural works to the interior of the article applied to the board of the writings of calligrapher who are also the masters of art.

The Ottoman Empire era, this art of carving wood to the naht is also said to have been imputed to the cognoscenti who "nahhât" expression of the ancient People of the book and other records in hiref is not a coincidence. This is a special reason to wood carving artisans do not know the name was issued. Turkey carvers work the most, rather than the material boxwood, linden, oak and walnut trees have benefited.

The use of 19th century wood carving art became widespread. Bitlis, Bursa, Gaziantep, Istanbul (Beykoz), and Zonguldak province, such as materials used in the wood-weighted sectors have emerged.

Today, however, wood carving craftsmanship decreased passing day, the mosque's wooden pulpit oyamların in place, master of scarcity has painted patterns. In some parts of Anatolia, very few remained by the master are executed, some universities are gathering interest in the sculpture section. Also connected to the Ministry of Agriculture and Rural Crafts Training Center in Düzce are working.

YAPILIŞI

Wood Selection

Wood carving is an art that can be made easy and inexpensive. First board selection is made. According to the general features of the tree board in selecting a variety of factors are active. These can be listed as follows:

1 - Wood of the hardness, weight is not the same as a one.
2 - Some of trees are cut easily, are shredded and painted.
3 - Some of the trees are bending or unbending quickly.
4 - Some of the trees on them is rough, the tiftiklen.

In addition, selected trees thin, thickness and vessels of the tree (liferinin) flow direction, on the spot and the small size, openness and consistency in the color of the engraving is emphasis on the eye is more pleasant.

Saw make use of

Drawn on the board outside the motif around the cutting process of cutting is easy. However, the remaining places in the motif of the interior of the panel saw to cut a hole could pass up the opening of the occasion arise.

With the help of hand drill hole opens. Whether the panel saw through here who have prepared thoroughly ger saw, cutting through the arm to be kept upright to work is prepared.

Saw to keep the upright;

a-saw is not leaning forward,
b-saw to the back of the slant is not,
c-saw to left and the right not to be italic,
d-saw with its hand-held stem segments of the upper clamp to be vertical to the surface,
e-Saw the back of the body part to touch the arm,
f-up to the elbow from the shoulder of the arm portion to be attached to the body,
g-up part of our hands from the elbow up and down the move to be a regular need to pay attention.

During the board saw to cut wood, and both saw the hardness due to the way you use a warm-up error occurs. Let's move from the warm-saw without heavy becomes due. This is due to slow convergence can help to prevent movement of the hand to extend the area for the purpose of the letter V tazgaha or table can be compressed backup in the form of help will be needed on the counter.

Used knives


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Rounding the corner with a knife


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V-shaped channel is a useful tool to open


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TYPES

Wood carving and cut engraving, carving the surface in 3 groups, and of course he will examine the carving.

1. Cutting Engraving (vertical cut) (Dekupe)
: This type of work or a massive kontraplağın both surfaces can be cut in the same vertical carvings çıkartılmasıdır.Keserek example, monogram, chair vb.Belli back on track following a thickness of ornament drawn a panel saw, mouse tail saw, jigsaw and unloading is done. Side of the cage, the sound hole cover oud wood chest, wardrobe and some furniture will be used in the production of decorative frame surfaces.

These parts can be flat face style appropriate to re-vote as is. Die-cut shapes that can be emptied with the saw blade attached to a surface and use the name of this track is appliqué, (top paste) to the applique work is known as style. Applique is an easy working procedures. Indicates the depth of an image to make appliqué, paper over the wood surface after being copied to the outer and middle parts of the will be flushed with a suitable saw. I need more than the same track appliqué amount of saw to cut the track, between the glue to the paper will be placed. Once dry glue is cut. Careful assembly is done is done with staples.

Cut pieces are separated by a pen knife or flat. Lower in the papers is cleared. Surfaces used parts are marked. Able to work on the extent of a tree is a brown paper glue. You will not go out to more parts underneath the previously indicated whether the glue is placed on the site. Over carefully with a piece is tightened. Once dry glue the edges are cleaned and processed into glue overflowing. Sanding and polishing to be done they will be completed. A sharp knife or even a sharp pen is removed. Sub-cleaned are determined necessary to places with glue or nails.


2. Surface carving (Röliyef): Wood surface to be alone with the outline of patterns or shapes are used to give a particular move. Triangular or U can be done with pencil. Finish this work, painted surface can be done in such a raw surface after processing is completed by making the necessary paint-varnish. If necessary, this pen lines (channels) color paint, gilding, etc. and are subject to change.

Are examined in two ways:

a-low surface carving (low relief): Depth from the outer surface does not exceed three to four mm are reliefs. Motif-leaf edging to be done so without losing the outline of a particular style should be made. Otherwise, the work style to give a result şahsiyetsiz is possible at any time. Easy to clean and polish every time after you apply with gentle appearance is such a popular style. Between non-deep carving easier cleaning due to dust also provides the opportunity to be preferred.

b-high surface carving (high relief) on the chest, the seat of processing work, such as surface rölyeflendirmeler.Alçak deeper and is a vibrant style. Processed motifs are more vivid. The most characteristic example of the 19th Century can be seen in the Gothic style. These days to do work with this style would be very costly, as of such use is quite difficult. Between deep ornamental constantly to clean the accumulated dust from the processing of various aspects of the tree will be much reduced strength requires very careful use.

*-Flat Surface with deep carving: This group of wood at the same level on a flat wooden surface constitutes a surface. Motifs from the surface with deep engraving indicated. This technique works in some of the same motif, and others later introduced "round surface with deep engraving with" business are abundant examples. Ankara Aladdin pulpit in front of the door spandrel, (1197-98), Malatya Ulu Mosque pulpit (13th Centuries), Kayseri Ulu Mosque pulpit door badges (1205), Amasya should Bur pulpit of the mosque minaret inscription (13th Centuries), Ankara Hacı Bayram Veli Tomb gates (15.Asır), Akşehir Kileci mosque window covers (14-15. Asir) within the Ulu Mosque İlisra gates (14.Asır), Ankara Ahi Şerafettin Sandukası (1350), this technique provides samples.

*- With Round Surface Deep Carved: Especially in the inscription, in writing, arabesque decor, the very rich and the most common group, the freshness of this wood craftsmanship to bring relief rough surface can be processed a round. In some instances, very high relief, and gives the effect of labor hem. Abundant examples of Islamic art in the first 11 we have seen in a century Fatimid wood work every era in Anatolia and in the region, various types of materials used in the deep-round with carved surface for the following examples can be counted. Pulpit of Siirt Ulu Mosque writings (13 per Centuries), Ankara Kızılbey Mosque gate (13.Asır), Kızılbey Mosque throne (Ethnographical Museum in Ankara 3.Keyhüsrev 1264-83), Ankara Aslanhane mosque pulpit side of the door (1289), Divrigi Ulu Mosque Pulpit of the writings (1228-29), Kaykavus lectern (Istanbul Turkish Islamic Arts Museum), Great Mosque Birgi some of the window sash.


*- Double Decker Relief Technique: Especially in the inscription, written in a very rich look and are used as mentioned earlier in this technique together two relief techniques are used. Usually at the bottom left, arabesque, or spirals are composed of the flat surface decorated with carved deep with rounded upper surface is decorated with writing job was with deep carving. Mosque pulpit inscription Alaattin Ankara accordingly constitutes a good example.

*- Curve Cutting Techniques (Mail Cutting Techniques): The origin of the Eurasian and Central Asian Scythian wood, metal, bone craftsmanship developed this technique in Samarra troops through Turkey in labor 9.asır Abbasi wood and plaster, 11 By entering the century of Islam to the art of wood work Gazne has devolved. Seljuks of Iran plaster, the figures of the Anatolian Seljuk stonework very common these techniques, but rather the early examples in Anatolia wooden craft with a stylized half-palmette motif attract attention. In this technique into each other that cuts deep reliefli surface descends to the surface. Sare Ermenek Hatun (12.Asır) pulpit in the geometric side of the cage aynalık Ulu Mosque in Aksaray fills the pulpit at the end of the border around the collar portion half palmettes technique processed volütlü attract attention.

9 of the Abbasid caliphs century city of Samarra has set up a large portion of Stuk seen in the decoration and Central Asia, the technical style of animal that represents an important element for Samarra'da has found that demand. Prof R. .. Ettinghausen, engaging and comprehensive technical text, the mail part of Iraq, Syria, Iran, Egypt, Palestine, Afghanistan, Anatolia and North Africa 10-14, showed examples ranging century. This is his stage and change of style has also been explained. Prof. Ettinghausen from Anatolia as an example, today Ankara Ethnography Museum is located in Malatya Ulu Mosque Mimberini.

Malatya Ulu Mosque is possible to add more Mimberine few mimberini Anatolia. Samarra mail to the cutting style most pure, and the reflective Surface dealing, among motifs that occur in a complementary manner to the most recent examples of this style is currently on a stone known as the only example of the famous Konya Sur (angels) is the crowns at the top of the figure. This pattern did not remain in the ground such thing. Shapes have been participating in a complementary pattern in the floor.

"True" Samarra style next to the sole representative of the other works in Anatolia, a stage has changed göterirler Samarra style. Mail with a deep cut nearly a separate cutting wood carving style are combined to create. Lala Pasha Mosque with a mid-axis of a border mimberinden Kayseri on how much longer the palmettes and framing them occurring in the example of the rumi although deep ground strokes, is not seen. However rumi palmettes upper surfaces and grooves can be completely be zone each winning on its own plastic for the assertion that a body Harput (Elazığ) Sareh Hatun Mosque Mimberinin following side surfaces, such as Malatya Ulu Mosque balcony with a wide variety of tapes Poligono field is divided. Which correspond to quadrilateral mimberinde Malatya surface is hexagonal and pentagonal Sareh Hatun mimberinde Folk field. Four fields and their combined mimberinde Malatya turn around a wide strips, while a large polygon bring Sareh Hatun Mimberinde six pentagonal, hexagonal bigger around the middle of the groups combined constitute.
All these works 12 century belongs to the Anatolian Seljuk art. Anatolia in this period has its own style Samarra mail sector in developing a style and a whole constitute a very closed style of wood carving can be estimated. All the features of this style of model replicated the recognition emerged with a study will be very desirable.

3. Figure carving of course: This type of statue carving rather traşçılığa is entering. (Three-dimensional carving, sculpture, spoons, musical instruments such as the statue of). The power is wood carving techniques. Sure enough anatomy to make the carving and biological information is essential to have. Because of this engraving, carving a statue means. Manner appropriate to the nature of the topics covered are the character and vitality. Three dimensions is also available.

Assyrians and Egyptians of the ancient state of the twentieth century up to the palace of the great eras in the same proportion of the state of furniture to fit a king can adorn a concern in this technique have opportunities in proportion. For example, former chair of corn in various animal and human head and legs, furniture crown as the king and the queen's statue, various war scenes in this period as you can see it in the next period furniture and architecture in the column headers in human form columns (Karyetit) a variety of religious and mythological scenes have been a lot of work today is Even in the house and museum in the rich history of art are seen in furniture.

4. Machine carving: Hand carving to take a long time and the cost is high because in this area was going to become machines.
a. Copy (Pantograph) engraving machine made in:

Pantograph machine with the help mold the desired shape carved into the surface being processed. In a short time leads to more engravings. Recently developed computer-based Pantograph machines could be seen.

b. Printing (Press) carving:

The voting machines will be carved in shape of the crushing occur is pressing. Figures to be high in the ratings remain in the deep. Pres-shaped flowers, leaves, etc. engraved with the method of appliqué. shapes are produced. Nails or glue these motifs can be mounted to the desired surface.


5. Plastic Engraving: Custom molding carvings are made with polyester. Separate business is tricky. Industries in the market are working in this field. Is a sector in itself. Following the construction of plastic engraving are:

Trees will be voted on before the vote so that the mold is used, the proper way to exit the voting patterns are varnished. After it is applied on the mold release varnish dry. Then prepared for casting polyester mixture is poured onto the mold. After the mold is separated from a period of time. The polyester obtained from the mold leaving us is our main mold. If there are no allocation to repair a damaged during the mold is made ready for use. Pattern is essentially a certain time after time on the mold release that have been prepared on polyester casting is poured. Can be reinforced with glass fiber polyester. In this way, is more durable and robust. After a certain period of Polyester From the freeze is removed. Thus the desired shape was obtained.

Processing Techniques Used in Wood Carving Art

Inlaid: the nature of any material available on the inlay of votes, the vote in the desired shape from the drop slot, other than an item engraved pieces cut from the same kak job placement. Some parts of the board vote, this vote is more precious to part of a mine or other voting material cut by the shape of parts to be buried by gerçekleşir.Üzerinde inlaid marquetry that works, according to the task of architecture are located. In a mosque doors, windows wings, pulpit, lectern, lectern wooden parts such as the pearl on wood, ivory, tortoise shell inlay as seen like; still pulpit, altar, lectern and wall of marble or stone in the same article on other colors or other substances made by kak jobs to see mümkündür.Eskiden layer, rod, stick some goods were always decorated with inlay. According to these types of inlaid gold, silver, pearl or ivory inlaid denilirdi. Knives, swords, daggers, shields and weapons such as guns or inlaid with gold ornaments on would be made.

Shine
Kundekari
Relief-engraving,
Lattice: (Afur technique): in particular the pulpit rails, these techniques are sometimes seen in the crown, wooden beams geometric triangles, stars, etc.. to bring together the crash is obtained by. This wood is possible to collect labor in the two groups.

* Sade Lattice Technology: These examples are more common. Another part of the cage between the decorative roof does not participate. Ankara kızılbey, Aslanhane, Ahielvan, Beyşehir Eşrafoğlu, Birgi Ulu Mosque, the balcony railings, balcony Aynalık Taskinpasa in Urgup, Kayseri Lala Pasha Mosque belonging to the technique of Yan aynalık various examples are
* Between Filled Cage Technology: This group of wooden beams in the cage between the internal labor arabesque-filled polygons, stars enters. Thus, a richer view of the cage wins. Ankara Alaattin, Divrigi Ulu, Hatun Huand Kayseri, Çorum Ulu Mosque Barriers to enter the polygon with the nested composition are richer.

Coating
Incineration

In carving and ornamentation Figure Drawings:

Preparation of the form to be carved:

Figure is drawn up on paper with fine detail, the drawing should be done with fine-tipped pen. Carving in the preparation process;

a: shades drawn on the picture to indicate the depth of the carving should be done. Determines the depth of the shadow of darkness.

b. Details of some parts should be drawn when needed.

c. Plaster and similar materials on the way samples should be made in advance.

d. Amateur people to do the carving and engraving pen, a place well known and engraving techniques should.

Marking engraving in Business:

Marking meters, square, compasses, pen, draw, etc.. is done with the help of instruments. Drawn on the wood carving to be done with the help of this tool being are drawn on paper or cardboard. Carbon paper with pictures on paper or cardboard material is passed on. Series of business brands cardboard is used. Marking locations are determined necessary, unnecessary, is evacuated so that a template is created. Remove the template on the form on the material are determined. Fine-tipped marking is done with a pencil or draw.

In carving and decorations decorations Skills:

Anything to decorate it to the surface of the plain or painted or unpainted relief consisting of a combination of the compound is called to the decorations. The parts of this composition is called the Motif decorations. Decorations include the shapes were

a. Side by side in the same way again

b. With each repetition of motifs between

c. Repeat the same way as the symmetric

d. Reduce Growth of the motives or be be

Daha iyi bir çeviri ile katkıda bulunun

Çeviri önerinizle Google Translate'e katkıda bulunduğunuz için teşekkür ederiz.

Wood carvings, wooden plates and scoop out the desired shape can be defined in the cut. A lot of speaking to deepen gouge or scratch out the vote means. Since the plain meaning beyond the surface mixed cut shapes by being left at the engraving is wrong. The French work "de'copaqe" that is cut around the tip out is called. When it is said in Turkish engraving pen is carved on a tree, being the swell and clear müşebbek jobs.

But one thing to stay flat through the surface and the interior is cut around the shapes carved mixed and it does the job of mana what kind of business that does not explain adequately. When it is said a table with carved relief decoration is understood as a table. Cut the phrase does not refer to work properly. Something in the middle and cut to separate the cut pieces are called. For this reason and the only way to cut through around the use of the expression pat tezyinî jobs would be cut. Die-cut or just cut to the fine woodwork carved mukatta income should mean.

A tree growing in the forest are thought to have disappeared after discontinuation of life, re-starts with the art of wood carving ...

Is divided into pieces, cut, is cut, new life, takes on new tasks in new ways. People will barrel, is embracing the seat, bed, frame, will fund. Even in last trip to mankind ... accompanied

Wooden carving decoration and at this stage there occurs, sometimes very simple patterns of nested patterns sometimes sometimes sometimes with a mallet and a spike on the engraving pen to etch can be done with everything.

Our imagination, to the extent that physical capabilities give our hands to express ourselves, our feelings is a way to describe wood carving ...

HISTORY

Is easy to shape a material forming art ahşapa is based on very old ages. Shaped wooden statues were found in the pyramids in Egypt.

Common in Turkmenistan Turks on the art, combined with Islamic motifs to the Andalusian, Asia, Europe, spread to the African continent. Currently, Morocco, Tunisia, Algeria, in countries such as the wood frequent motifs.

According to the studies of the Turks living in Central Asia before Islam statues and carvings have been found to work decorations. This work can be seen traces of the Chinese and Indian art. However, Islam does not permit that to the art of sculpture, between Muslims and Turks, have led to advances in the art of wood carving.

Turks accepted Islam after carving me of showed more improvement in Turkestan. Later, in countries where the Great Seljuk Empire dominate their bring the carving of architectural decoration took place in the art of carving, especially Turkmenistan also has been persistent for many years. Then the Seljuk palaces, mosques, small mosque and were used as decorative structures such as complex.

China is concerned about the trappings of the Anatolian Seljuk period together, the importance of carving was preserved and Erzurum, Harput, Beyşehir in major centers such as the best examples of this art has been bring. Sas characters in this period alone tezyinî motifs as in China rather than decorative geometric shapes formed.

Ebony, walnut, apple, pear, cedar, rosewood, pine, etc.. on trees, such as carving, inlaying, painting, knitting (kükdekari) and driving (enough for the job) was decorated with techniques such as wood samples in this area in the Seljuk period suggests that a superior level has been reached. Flat surface with deep carvings, round surface with deep carvings, curved cutting, carving network with (hem)-like techniques such as lace adorned with parts, flat surface and decorated with inlaid marquetry inlaid and relief, such as inlaid marquetry techniques, such as decorated example, flat-surface painting, surface relief, such as painting painting techniques and kundekari, knitting techniques such as false kundekari made a rich repertoire of techniques in her works has been pointed out.
Blade from the surface perpendicular to the ground by holding the work surface is flat with deep carvings, knives, using free hand movements applied and the surface of the circular to be shown care surface with a round deep carving, the surface is carved deeper ground certain parts can be removed, of the lace to view the network with deep engraving (hem) and adorned the hands of master paca the documents the ingenuity.

In the time of the Ottoman Empire the art of wood carving reached its highest level. Rumi and error that we flower, vegetable and animal motifs stylized occurring tezyinî used. Architectural interior and exterior parts are decorated by masters of this art.

Main application areas the mosques and shrines with the Mihrab pulpit, a mosque and madrasa used in the lectern for the king throne, grave stones, doors, windows, cabinet doors, chairs, jewelry boxes, wooden cradle, table bases, carved decorations, fountains, boxes have been. House used in drawers, chests of goods such as ornaments, various architectural works to the interior of the article applied to the board of the writings of calligrapher who are also the masters of art.

The Ottoman Empire era, this art of carving wood to the naht is also said to have been imputed to the cognoscenti who "nahhât" expression of the ancient People of the book and other records in hiref is not a coincidence. This is a special reason to wood carving artisans do not know the name was issued. Turkey carvers work the most, rather than the material boxwood, linden, oak and walnut trees have benefited.

The use of 19th century wood carving art became widespread. Bitlis, Bursa, Gaziantep, Istanbul (Beykoz), and Zonguldak province, such as materials used in the wood-weighted sectors have emerged.

Today, however, wood carving craftsmanship decreased passing day, the mosque's wooden pulpit oyamların in place, master of scarcity has painted patterns. In some parts of Anatolia, very few remained by the master are executed, some universities are gathering interest in the sculpture section. Also connected to the Ministry of Agriculture and Rural Crafts Training Center in Düzce are working.

YAPILIŞI

Wood Selection

Wood carving is an art that can be made easy and inexpensive. First board selection is made. According to the general features of the tree board in selecting a variety of factors are active. These can be listed as follows:

1 - Wood of the hardness, weight is not the same as a one.
2 - Some of trees are cut easily, are shredded and painted.
3 - Some of the trees are bending or unbending quickly.
4 - Some of the trees on them is rough, the tiftiklen.

In addition, selected trees thin, thickness and vessels of the tree (liferinin) flow direction, on the spot and the small size, openness and consistency in the color of the engraving is emphasis on the eye is more pleasant.

Saw make use of

Drawn on the board outside the motif around the cutting process of cutting is easy. However, the remaining places in the motif of the interior of the panel saw to cut a hole could pass up the opening of the occasion arise.

With the help of hand drill hole opens. Whether the panel saw through here who have prepared thoroughly ger saw, cutting through the arm to be kept upright to work is prepared.

Saw to keep the upright;

a-saw is not leaning forward,
b-saw to the back of the slant is not,
c-saw to left and the right not to be italic,
d-saw with its hand-held stem segments of the upper clamp to be vertical to the surface,
e-Saw the back of the body part to touch the arm,
f-up to the elbow from the shoulder of the arm portion to be attached to the body,
g-up part of our hands from the elbow up and down the move to be a regular need to pay attention.

During the board saw to cut wood, and both saw the hardness due to the way you use a warm-up error occurs. Let's move from the warm-saw without heavy becomes due. This is due to slow convergence can help to prevent movement of the hand to extend the area for the purpose of the letter V tazgaha or table can be compressed backup in the form of help will be needed on the counter.

Used knives


This image has been reduced to fit on your screen. Click to see larger image in this field. Destination image size is 800x423 and 85KB original size.




Rounding the corner with a knife


This image has been reduced to fit on your screen. Click to see larger image in this field. Original size of destination image size 800x551 and 54KB.


V-shaped channel is a useful tool to open


This image has been reduced to fit on your screen. Click to see larger image in this field. Original size of destination image size 588x600 and 58KB.


TYPES

Wood carving and cut engraving, carving the surface in 3 groups, and of course he will examine the carving.

1. Cutting Engraving (vertical cut) (Dekupe)
: This type of work or a massive kontraplağın both surfaces can be cut in the same vertical carvings çıkartılmasıdır.Keserek example, monogram, chair vb.Belli back on track following a thickness of ornament drawn a panel saw, mouse tail saw, jigsaw and unloading is done. Side of the cage, the sound hole cover oud wood chest, wardrobe and some furniture will be used in the production of decorative frame surfaces.

These parts can be flat face style appropriate to re-vote as is. Die-cut shapes that can be emptied with the saw blade attached to a surface and use the name of this track is appliqué, (top paste) to the applique work is known as style. Applique is an easy working procedures. Indicates the depth of an image to make appliqué, paper over the wood surface after being copied to the outer and middle parts of the will be flushed with a suitable saw. I need more than the same track appliqué amount of saw to cut the track, between the glue to the paper will be placed. Once dry glue is cut. Careful assembly is done is done with staples.

Cut pieces are separated by a pen knife or flat. Lower in the papers is cleared. Surfaces used parts are marked. Able to work on the extent of a tree is a brown paper glue. You will not go out to more parts underneath the previously indicated whether the glue is placed on the site. Over carefully with a piece is tightened. Once dry glue the edges are cleaned and processed into glue overflowing. Sanding and polishing to be done they will be completed. A sharp knife or even a sharp pen is removed. Sub-cleaned are determined necessary to places with glue or nails.


2. Surface carving (Röliyef): Wood surface to be alone with the outline of patterns or shapes are used to give a particular move. Triangular or U can be done with pencil. Finish this work, painted surface can be done in such a raw surface after processing is completed by making the necessary paint-varnish. If necessary, this pen lines (channels) color paint, gilding, etc. and are subject to change.

Are examined in two ways:

a-low surface carving (low relief): Depth from the outer surface does not exceed three to four mm are reliefs. Motif-leaf edging to be done so without losing the outline of a particular style should be made. Otherwise, the work style to give a result şahsiyetsiz is possible at any time. Easy to clean and polish every time after you apply with gentle appearance is such a popular style. Between non-deep carving easier cleaning due to dust also provides the opportunity to be preferred.

b-high surface carving (high relief) on the chest, the seat of processing work, such as surface rölyeflendirmeler.Alçak deeper and is a vibrant style. Processed motifs are more vivid. The most characteristic example of the 19th Century can be seen in the Gothic style. These days to do work with this style would be very costly, as of such use is quite difficult. Between deep ornamental constantly to clean the accumulated dust from the processing of various aspects of the tree will be much reduced strength requires very careful use.

*-Flat Surface with deep carving: This group of wood at the same level on a flat wooden surface constitutes a surface. Motifs from the surface with deep engraving indicated. This technique works in some of the same motif, and others later introduced "round surface with deep engraving with" business are abundant examples. Ankara Aladdin pulpit in front of the door spandrel, (1197-98), Malatya Ulu Mosque pulpit (13th Centuries), Kayseri Ulu Mosque pulpit door badges (1205), Amasya should Bur pulpit of the mosque minaret inscription (13th Centuries), Ankara Hacı Bayram Veli Tomb gates (15.Asır), Akşehir Kileci mosque window covers (14-15. Asir) within the Ulu Mosque İlisra gates (14.Asır), Ankara Ahi Şerafettin Sandukası (1350), this technique provides samples.

*- With Round Surface Deep Carved: Especially in the inscription, in writing, arabesque decor, the very rich and the most common group, the freshness of this wood craftsmanship to bring relief rough surface can be processed a round. In some instances, very high relief, and gives the effect of labor hem. Abundant examples of Islamic art in the first 11 we have seen in a century Fatimid wood work every era in Anatolia and in the region, various types of materials used in the deep-round with carved surface for the following examples can be counted. Pulpit of Siirt Ulu Mosque writings (13 per Centuries), Ankara Kızılbey Mosque gate (13.Asır), Kızılbey Mosque throne (Ethnographical Museum in Ankara 3.Keyhüsrev 1264-83), Ankara Aslanhane mosque pulpit side of the door (1289), Divrigi Ulu Mosque Pulpit of the writings (1228-29), Kaykavus lectern (Istanbul Turkish Islamic Arts Museum), Great Mosque Birgi some of the window sash.


*- Double Decker Relief Technique: Especially in the inscription, written in a very rich look and are used as mentioned earlier in this technique together two relief techniques are used. Usually at the bottom left, arabesque, or spirals are composed of the flat surface decorated with carved deep with rounded upper surface is decorated with writing job was with deep carving. Mosque pulpit inscription Alaattin Ankara accordingly constitutes a good example.

*- Curve Cutting Techniques (Mail Cutting Techniques): The origin of the Eurasian and Central Asian Scythian wood, metal, bone craftsmanship developed this technique in Samarra troops through Turkey in labor 9.asır Abbasi wood and plaster, 11 By entering the century of Islam to the art of wood work Gazne has devolved. Seljuks of Iran plaster, the figures of the Anatolian Seljuk stonework very common these techniques, but rather the early examples in Anatolia wooden craft with a stylized half-palmette motif attract attention. In this technique into each other that cuts deep reliefli surface descends to the surface. Sare Ermenek Hatun (12.Asır) pulpit in the geometric side of the cage aynalık Ulu Mosque in Aksaray fills the pulpit at the end of the border around the collar portion half palmettes technique processed volütlü attract attention.

9 of the Abbasid caliphs century city of Samarra has set up a large portion of Stuk seen in the decoration and Central Asia, the technical style of animal that represents an important element for Samarra'da has found that demand. Prof R. .. Ettinghausen, engaging and comprehensive technical text, the mail part of Iraq, Syria, Iran, Egypt, Palestine, Afghanistan, Anatolia and North Africa 10-14, showed examples ranging century. This is his stage and change of style has also been explained. Prof. Ettinghausen from Anatolia as an example, today Ankara Ethnography Museum is located in Malatya Ulu Mosque Mimberini.

Malatya Ulu Mosque is possible to add more Mimberine few mimberini Anatolia. Samarra mail to the cutting style most pure, and the reflective Surface dealing, among motifs that occur in a complementary manner to the most recent examples of this style is currently on a stone known as the only example of the famous Konya Sur (angels) is the crowns at the top of the figure. This pattern did not remain in the ground such thing. Shapes have been participating in a complementary pattern in the floor.

"True" Samarra style next to the sole representative of the other works in Anatolia, a stage has changed göterirler Samarra style. Mail with a deep cut nearly a separate cutting wood carving style are combined to create. Lala Pasha Mosque with a mid-axis of a border mimberinden Kayseri on how much longer the palmettes and framing them occurring in the example of the rumi although deep ground strokes, is not seen. However rumi palmettes upper surfaces and grooves can be completely be zone each winning on its own plastic for the assertion that a body Harput (Elazığ) Sareh Hatun Mosque Mimberinin following side surfaces, such as Malatya Ulu Mosque balcony with a wide variety of tapes Poligono field is divided. Which correspond to quadrilateral mimberinde Malatya surface is hexagonal and pentagonal Sareh Hatun mimberinde Folk field. Four fields and their combined mimberinde Malatya turn around a wide strips, while a large polygon bring Sareh Hatun Mimberinde six pentagonal, hexagonal bigger around the middle of the groups combined constitute.
All these works 12 century belongs to the Anatolian Seljuk art. Anatolia in this period has its own style Samarra mail sector in developing a style and a whole constitute a very closed style of wood carving can be estimated. All the features of this style of model replicated the recognition emerged with a study will be very desirable.

3. Figure carving of course: This type of statue carving rather traşçılığa is entering. (Three-dimensional carving, sculpture, spoons, musical instruments such as the statue of). The power is wood carving techniques. Sure enough anatomy to make the carving and biological information is essential to have. Because of this engraving, carving a statue means. Manner appropriate to the nature of the topics covered are the character and vitality. Three dimensions is also available.

Assyrians and Egyptians of the ancient state of the twentieth century up to the palace of the great eras in the same proportion of the state of furniture to fit a king can adorn a concern in this technique have opportunities in proportion. For example, former chair of corn in various animal and human head and legs, furniture crown as the king and the queen's statue, various war scenes in this period as you can see it in the next period furniture and architecture in the column headers in human form columns (Karyetit) a variety of religious and mythological scenes have been a lot of work today is Even in the house and museum in the rich history of art are seen in furniture.

4. Machine carving: Hand carving to take a long time and the cost is high because in this area was going to become machines.
a. Copy (Pantograph) engraving machine made in:

Pantograph machine with the help mold the desired shape carved into the surface being processed. In a short time leads to more engravings. Recently developed computer-based Pantograph machines could be seen.

b. Printing (Press) carving:

The voting machines will be carved in shape of the crushing occur is pressing. Figures to be high in the ratings remain in the deep. Pres-shaped flowers, leaves, etc. engraved with the method of appliqué. shapes are produced. Nails or glue these motifs can be mounted to the desired surface.


5. Plastic Engraving: Custom molding carvings are made with polyester. Separate business is tricky. Industries in the market are working in this field. Is a sector in itself. Following the construction of plastic engraving are:

Trees will be voted on before the vote so that the mold is used, the proper way to exit the voting patterns are varnished. After it is applied on the mold release varnish dry. Then prepared for casting polyester mixture is poured onto the mold. After the mold is separated from a period of time. The polyester obtained from the mold leaving us is our main mold. If there are no allocation to repair a damaged during the mold is made ready for use. Pattern is essentially a certain time after time on the mold release that have been prepared on polyester casting is poured. Can be reinforced with glass fiber polyester. In this way, is more durable and robust. After a certain period of Polyester From the freeze is removed. Thus the desired shape was obtained.

Processing Techniques Used in Wood Carving Art

Inlaid: the nature of any material available on the inlay of votes, the vote in the desired shape from the drop slot, other than an item engraved pieces cut from the same kak job placement. Some parts of the board vote, this vote is more precious to part of a mine or other voting material cut by the shape of parts to be buried by gerçekleşir.Üzerinde inlaid marquetry that works, according to the task of architecture are located. In a mosque doors, windows wings, pulpit, lectern, lectern wooden parts such as the pearl on wood, ivory, tortoise shell inlay as seen like; still pulpit, altar, lectern and wall of marble or stone in the same article on other colors or other substances made by kak jobs to see mümkündür.Eskiden layer, rod, stick some goods were always decorated with inlay. According to these types of inlaid gold, silver, pearl or ivory inlaid denilirdi. Knives, swords, daggers, shields and weapons such as guns or inlaid with gold ornaments on would be made.

Shine
Kundekari
Relief-engraving,
Lattice: (Afur technique): in particular the pulpit rails, these techniques are sometimes seen in the crown, wooden beams geometric triangles, stars, etc.. to bring together the crash is obtained by. This wood is possible to collect labor in the two groups.

* Sade Lattice Technology: These examples are more common. Another part of the cage between the decorative roof does not participate. Ankara kızılbey, Aslanhane, Ahielvan, Beyşehir Eşrafoğlu, Birgi Ulu Mosque, the balcony railings, balcony Aynalık Taskinpasa in Urgup, Kayseri Lala Pasha Mosque belonging to the technique of Yan aynalık various examples are
* Between Filled Cage Technology: This group of wooden beams in the cage between the internal labor arabesque-filled polygons, stars enters. Thus, a richer view of the cage wins. Ankara Alaattin, Divrigi Ulu, Hatun Huand Kayseri, Çorum Ulu Mosque Barriers to enter the polygon with the nested composition are richer.

Coating
Incineration

In carving and ornamentation Figure Drawings:

Preparation of the form to be carved:

Figure is drawn up on paper with fine detail, the drawing should be done with fine-tipped pen. Carving in the preparation process;

a: shades drawn on the picture to indicate the depth of the carving should be done. Determines the depth of the shadow of darkness.

b. Details of some parts should be drawn when needed.

c. Plaster and similar materials on the way samples should be made in advance.

d. Amateur people to do the carving and engraving pen, a place well known and engraving techniques should.

Marking engraving in Business:

Marking meters, square, compasses, pen, draw, etc.. is done with the help of instruments. Drawn on the wood carving to be done with the help of this tool being are drawn on paper or cardboard. Carbon paper with pictures on paper or cardboard material is passed on. Series of business brands cardboard is used. Marking locations are determined necessary, unnecessary, is evacuated so that a template is created. Remove the template on the form on the material are determined. Fine-tipped marking is done with a pencil or draw.

In carving and decorations decorations Skills:

Anything to decorate it to the surface of the plain or painted or unpainted relief consisting of a combination of the compound is called to the decorations. The parts of this composition is called the Motif decorations. Decorations include the shapes were

a. Side by side in the same way again

b. With each repetition of motifs between

c. Repeat the same way as the symmetric

d. Reduce Growth of the motives or be be

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